Isaiah Mustafa’s Sampson gets more to do here than just be the loyal friend. He questions Cross’s judgment, and their disagreement feels earned, not melodramatic. What doesn’t work 1. Pacing drags mid-episode After a strong opening, “PDTV” spends too long on Cross staring at evidence boards and making leaps of logic without clear on-screen deduction. For a thriller, it loses momentum.
If you’re binge-watching, it works as a necessary bridge to Episode 8. If you’re on the fence about the series, this episode won’t convert you, but fans of Patterson’s books or detective thrillers will find enough to enjoy. cross s01e07 pdtv
If you’ve watched any modern serial killer show, you’ll guess the “surprise ally” reveal about 10 minutes before it happens. The episode leans on a trope (killer inside law enforcement) without adding new wrinkles. Isaiah Mustafa’s Sampson gets more to do here
By Episode 7, Cross and his partner John Sampson are deep into the case of a serial killer targeting wealthy, influential people in D.C. The killer, known as “The Picasso Killer” or “Fanboy” in the show, has been leaving artistic, sadistic tableaux. Episode 6 ended with a major personal threat to Cross’s family. What works in “PDTV” 1. Tense, claustrophobic direction The episode title plays on “public domain television” and surveillance. Director Craig Siebels uses POV shots, security cam feeds, and tight framing to make you feel trapped. Cross is being watched — and the killer is always one step ahead. Pacing drags mid-episode After a strong opening, “PDTV”