Maitland Ward - Crempie

The role required her to learn a few piping techniques, memorize a monologue about grief and meringue, and sit in a makeup chair for three hours to get the right “sugar-burn scars” on her forearms. It paid almost nothing. The director, a non-binary filmmaker named Jules who wore a different colored beret every day, had raised the budget on Kickstarter. The craft services table was a single bowl of trail mix and a six-pack of LaCroix.

Maitland Ward had spent the better part of two decades being told she was one thing: a soap opera star, then a sitcom mom, then a cautionary tale. But on a rainy Tuesday afternoon in Los Angeles, standing in front of a floor-to-ceiling mirror in a borrowed studio loft, she decided she was finally something else entirely. maitland ward crempie

The young woman laughed. Maitland meant it. The role required her to learn a few

Crempie was the next logical step. Not because she wanted to leave adult behind—she didn’t—but because she wanted to remind everyone that she could do more than one thing. Horror had always loved her, and she had always loved horror. The grotesque, the campy, the genuinely unsettling. It was a more honest genre than drama, she thought. In horror, the monster always reveals itself. The craft services table was a single bowl

Years later, at another convention, a young woman approached her table. She was shaking slightly, holding a Crempie poster.