The mature woman in cinema is no longer the background. She is the frame, the subject, and often – for the first time – the director behind the camera. The silver renaissance is here. The only question is how bright it will burn.
The mature woman in cinema is no longer the background. She is the frame, the subject, and often – for the first time – the director behind the camera. The silver renaissance is here. The only question is how bright it will burn.